“Importance of Being Earnest” at the Attic, “Dear Brutus” at Stages

Christopher Diem, Rose London and Kayla Agnew in “Earnest” at the Attic.
Christopher Diem, Rose London and Kayla Agnew in “Earnest” at the Attic.

Two visits to the theatre this weekend to see two actor friends, after a much-needed hiatus of more than a month; plenty of family drama, mind you. J.M. Barrie’s rarely-staged 1917 fantasy “Dear Brutus” (through Feb. 11 at Fullerton’s STAGEStheatre) is a play about second chances that’s been called “Peter Pan for adults.” The underlying message, to quote one character, seems to be, “We have the power to shape ourselves.”

The ensemble cast did a fine job under Alexis Stary’s direction with a stellar performance coming from the youngest member, a sprightly little redhead by the name of Scarlett Clark (Margaret). Stand outs also included Paul Burt (Lob) as an eccentric host who invites an odd selection of guests to his house on a summer eve; and Kerri Hellmuth (Mabel) and Elizabeth Rodrigues (Joanna) as two of the guests.

First performed in 1895, Oscar Wilde’s wickedly funny Victorian era farce “The Importance of Being Earnest” (at the Attic Community Theater in Santa Ana through Feb. 4) rarely gets a production worthy of it. Bob Fetes’ attentively directed staging, buoyed by a talented cast, exceeded my expectations—no small accomplishment considering the cavernous space of the venue. The uncredited costumes (designed by Rebecca Roth in conjunction with the Long Beach Playhouse) did much to enhance the show.

Rose London triumphed as the no-nonsense dowager aunt Lady Bracknell, as did Kayla Agnew (as Cecily). Kyle Patterson (Jack), Maggie King (Gwendolyn) and Mark Bowen (as the butler) were exceptional in their characterizations, giving this Wilde soufflé about using the well-crafted fiction to escape one’s obligations just the light touch it requires.


Author: Jordan R. Young

Writer Jordan R. Young is an arts journalist, content provider, editor, consultant and playwright. He has been published in The Los Angeles Times, The New York Times, The Washington Post, and the Orange County Register. His plays have been produced in Hollywood by California Artists Radio Theatre, Off Off Broadway by Ticket 2 Eternity, and Bloomington Playwrights Project; they have also been presented at the Melbourne Fringe Festival in Australia, Laguna Beach New Play Festival, South Coast Repertory, and UC Irvine World Premiere Weekend. His books include Acting Solo; King Vidor's The Crowd, Spike Jones Off the Record; and The Beckett Actor. He has written special material for the Grammy Awards and has served as a consultant for BBC Radio.